This project included the conceptualisation and delivery of all 2D graphic and illustrative elements utilised throughout the exhibition space, the visual identity, as well as various design elements, such as entry animations, large-scale promotional graphics and the exhibition's book cover design. During the creative process, Artikel explored various mediums and illustrative styles to effectively visually communicate the stories of migration that make up Australia’s diverse heritage and society.

Developing this concept as a narrative symbol, Nick introduced a composition made up of various eclectic photo frames as a design feature used across the exhibition space and visual identity. The transformation of photo frames from common household items into emotionally charged objects, implies the nature of the Hopes and Fears exhibition, uniting diverse and individual stories through the context of migration. The visual identity additionally features an undulating ocean graphic motif designed to visually narrate the journey of immigrating to Australia. This motif decorates wall panels within the gallery space while functioning to separate different thematic topics and subtly enhance the wall text or timelines that outline the significant concepts or events of the exhibition context.

Through thoughtful visual storytelling and a considered conceptual approach, Artikel delivered a cohesive suite of design outcomes that both honour the migration narrative of Hopes and Fears and support the functional requirements of the exhibition.